Proper from the get-go, The Penguin finds itself in a sticky scenario.
The brand new collection from HBO serves as a sequel of types to Matt Reeves’s The Batman, however it might’t threat altering the paradigm in Gotham Metropolis too a lot. In spite of everything, Reeves has The Batman Half II to prep for, so The Penguin must hold the taking part in area comparatively much like the tip of the primary film in an effort to guarantee continuity between the movies. That leaves showrunner Lauren LeFranc with a seemingly small quantity of wiggle room to work with.
Fortunately, LeFranc and The Penguin are capable of do rather a lot with that minimal area, conjuring up a grounded (if considerably spinoff) crime drama that examines how Batman villain Oswald “Oz” Cobb (Colin Farrell) grew to become the monster he’s right this moment.
What’s The Penguin about?
Cristin Milioti and Colin Farrell in “The Penguin.”
Credit score: HBO
The Penguin picks up within the aftermath of The Batman, with Gotham in complete disarray following the Riddler’s flooding of town. Including to the chaos is the loss of life of mob boss Carmine Falcone. His demise has left an influence vacuum in Gotham’s prison underworld, and Oz, uninterested in taking part in second fiddle to rich mobsters, plans to fill that vacuum himself.
In fact, that is simpler stated than performed. Certain, Ouncesmanages to dispatch of Carmine’s son and inheritor Alberto Falcone (Michael Zegen) pretty rapidly. However that solely stirs up extra bother with the Falcone household — significantly with Carmine’s harmful daughter Sofia (Cristin Milioti), a reformed serial killer generally known as “The Hangman” who’s simply been launched from Arkham State Hospital.
Colin Farrell goes full Sopranos mode in The Penguin
Colin Farrell in “The Penguin.”
Credit score: HBO
As Ouncesnavigates an internet of crime and lies — largely of his personal making — on his approach to the highest, The Penguin pays wholesome tribute to the crime dramas that preceded it. Most notable amongst them is HBO’s personal The Sopranos, with Ouncestaking on the position of a scarred Tony Soprano, full with some mommy problems with his personal. This fixed crime pastiche might be each a blessing and a curse. On the one hand, it permits us to get down and soiled for some street-level Gotham motion, with manufacturing designer Kalina Ivanov reveling in dirty alleyways and hideouts. On the opposite, it dangers sending The Penguin into generic gangster territory.
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The Penguin largely steers away from any Batman-related enjoyable. (The Caped Crusader himself is absent, though not significantly missed or wanted right here.) So with out even a touch of the extra ridiculous parts of earlier iterations of Oz — my kingdom for some type of umbrella gun! — the collection can really feel unmoored from its supply materials. Why does this story have to middle on the Penguin? What separates it from different crime dramas earlier than it?
One reply? Farrell’s efficiency, which soars with the assistance of some spectacular prosthetics that render the Oscar nominee near-unrecognizable. As Oz, Farrell is a snarling power to be reckoned with, all formidable drive with a touch of enjoyable lurking beneath the floor. A number of particulars from The Penguin assist tease out this enjoyable facet a bit extra. Take, for instance, his affinity for Dolly Parton, or his diva-esque calls for that every one cilantro be picked from his meals. Nothing fairly hits the heights of his meme-worthy, “Holy God, what are you showing me?” from The Batman, however Farrell nonetheless makes a meal of Ouncess each response.
In principle, these comedic particulars soften Oz. They are not the one story parts to take action. Ouncesoften waxes poetic about mobster Rex Calabrese, whom he views as a type of benevolent overlord in his neighborhood rising up. Rex’s position in the neighborhood earned him a parade when he died, and Ounceshopes to depart an identical legacy. Look, he is already caring for his ailing mom Francis (Deirdre O’Connell) and taking teenager Victor (Rhenzy Felix) underneath his tuxedoed wing. What a pleasant man!
However after all, these surface-level observations do not account for the truth that Ouncesalmost murdered Victor earlier than roping him into his schemes, or that Francis typically refers to her personal son as a satan. The Penguin takes nice pleasure in hinting that Ouncesmight even have some good in him, solely to show round and remind us how unhealthy he’s. That sample can really feel repetitive within the present’s center stretch, however The Penguin‘s remaining two episodes ship some earth-shattering revelations that recontextualize fairly a little bit of what we have seen, deepening Ouncesbeyond just a few “bargain basement hustler,” as one character calls him.
Cristin Milioti steals The Penguin as Sofia Falcone
Cristin Milioti and Colin Farrell in “The Penguin.”
Credit score: HBO
Talking of earth-shattering, let’s speak in regards to the character who rapidly turns into the star of The Penguin: Sofia Falcone. From the second she seems behind Oz, it is clear this mobster heiress is the one to look at. Milioti begins her run on the present taking part in Sofia as half sinister, half tragic determine who is perhaps greater than the villain others label her to be. But because the present goes on, she transforms right into a extra assured menace — and The Penguin is all the higher for it.
The Penguin‘s earlier episodes can drag a tad, loaded down with gangster worldbuilding it seems like we have seen a thousand instances earlier than. But it surely actually kicks it into excessive gear in its fourth episode, which focuses on how Sofia wound up at Arkham and could be damaged by the ability’s cruelty. Milioti is equally weak and ferocious all through, and once we lastly catch as much as her within the current day, she all however runs away with the present. It seems like we have been handled to a bait and swap: Ouncesand Farrell are good enjoyable and all, however Sofia is the center of The Penguin — and the rationale I stored tuning again in.
The Penguin premieres Sept. 19 at 9 p.m. ET on HBO and Max.