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America Age > Blog > Art & Books > ‘Stage Up’ by GAFFA Transports Us to an Uncanny Parking Storage
Art & Books

‘Stage Up’ by GAFFA Transports Us to an Uncanny Parking Storage

Enspirers | Editorial Board
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‘Stage Up’ by GAFFA Transports Us to an Uncanny Parking Storage
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If you consider an orange security cone, you may think rows of the small reflective objects positioned round briefly parked automobiles or, say, subsequent to potholes. However a stroll by GAFFA’s latest exhibition, Stage Up at Kunsthalle Arbon, and the on a regular basis sight took the type of an unmissably imposing, monumental construction.

GAFFA is a collective based 9 years in the past by Wanja Harb, Linus Lutz, Dario Forlin, and Lucian Kunz. By means of a signature mix of humor, irony, and an interdisciplinary strategy involving zines, collages, pictures, sculpture, and set up, the group challenges our perceptions of bodily house, historical past, and society.

Of their generally absurd installations, GAFFA typically brings the outside in, like importing a seaside chair and umbrella right into a concrete room or establishing an unlimited brown slug that slid throughout a gallery ground. In Stage Up, visitors serves as the first focus—each its symbols and the wonderful line between regulation and chaos.

GAFFA reworked the Swiss artwork gallery right into a parking storage containing an extra-long stretch limo, an entry ticket, orange cone, and double-arrow directional signal. We don’t know to whom the automobile belongs or the place they’re.

Viewers are transported right into a sort of Alice in Wonderland expertise the place the size of every thing feels befuddling and incongruent. The automobile, although life-size, is made from cardboard, and the yellow signal is an oil portray.

“Underground garages and parking garages are places we usually only notice in passing,” the gallery says in an announcement. “They are purpose-built ‘non-places’ to which hardly anyone pays attention, yet they have their own aesthetics: the strict geometry of the parking spaces, the rhythmic movement of the barriers, the seemingly random arrangement of the holes on a parking ticket.”

Anybody who has pushed into a big storage is aware of the anxieties of a gate not opening when it’s speculated to or the ticket machine not working. Throughout the massive but managed house of the Kunsthalle Arbon, Stage Up begged the query: how does one get out of right here? Discover extra on the collective’s web site.

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