Composed of extremely polished chrome steel, the sculptures of Zheng Lu (beforehand) seem suspended in house and time. Whether or not secured atop a pedestal, put in in a public park, or hanging in midair, each bit strikes a high quality stability between movement and stillness and fluidity and fixedness.
The Beijing-based artist is deeply influenced by conventional Chinese language philosophy and calligraphy. The vitality, or qi, that programs by way of the universe shapes his work and is thought to facilitate well being, stability, and concord in all points of life. 1000’s of Chinese language characters borrowed from historic texts moreover coat lots of his sculptures, calling upon the previous as a approach to interface with the current.
Lu can also be more and more within the burgeoning relationship between human artistry and synthetic intelligence. “The advancement of technology will inevitably blur the boundaries between tools and creators, but the essence of creation remains rooted in human nature,” the artist tells Colossal. Considered as a device quite than a stand-in for human creativity, he’s keen on how machine studying prompts us to extra fastidiously contemplate authorship.
By a inventive method that alternates between human and machine, Lu likens his course of to “a relay race, with the artwork itself as the baton.” He continues:
I move the baton to the pc, and it passes it again to me, every of us shaping the piece in flip. The ultimate consequence just isn’t completely predictable. The existence of the world is outlined by stability, and none of us can escape this precept. Therefore, I embrace this technique each in my life and work, the place the method of creation is akin to the expansion of life.
Lu is represented by Galerie Sept, and yow will discover extra on the artist’s web site.
