A day like another takes an surprising flip for the paper characters of Shotaro Kitada and Hoji Tsuchiya’s new animation. The filmmakers collaborated on a music video for a monitor known as “Prime” from Japanese saxophonist Tamoaki Baba’s 2024 album, Electrical Rider.
Setting up a world of paper cutouts and sculptures, Kitada and Tsuchiya labored remotely to make the experimental quick movie, by no means assembly in individual on account of their geographic distance. Tsuchiya would typically present backgrounds by utilizing stop-motion, then Kitada would carry his sculptures to life by way of live-action methods. The method required some preliminary trial and error and finally got here collectively by way of improvisation, which the artists liken to a musical jam session.
“My three-dimensional works convey a sense of ‘reality’ that drawings or computer graphics cannot replicate,” Kitada says, “yet they evoke a sense of dissonance due to their awkward movements, unique scale, and homogeneous world.”
Relatable scenes of a fuel station, a sheriff on patrol, or a duo enjoying chess on a bench are met with a tinge of nostalgia and stilted actions, however because the movie carries on, folks start disappearing by the use of inexplicable phenomena. An enigmatic, high-strung character and a mysterious beverage could have one thing to do with it.
Filmed digitally, the video was transferred to movie to boost the work’s “tactile quality,” Kitada says. In some scenes, we will see a bit of fishing line lifting a limb, whereas in others, stop-motion permits figures to maneuver on their very own.
Get carried away with extra tasks on Kitada’s web site, and see extra from Tsuchiya on his website.
