Artwork
Books
#artwork historical past
#sculpture
Portia Munson, “Today Will Be Awesome” (2022), discovered pink objects, pink artificial cloth and cloths, model, salvaged spherical bar desk, and deconstructed secretary desk/cupboard, 72 × 60 × 70 inches. Photograph by JSP Artwork Pictures, courtesy of P·P·O·W, New York. All pictures © the artists, courtesy of Phaidon, shared with permission
Celebrating greater than 300 trailblazing artists, Nice Girls Sculptors, forthcoming from Phaidon, surveys half a millennium of exceptional work from the Renaissance to immediately. At greater than 340 pages, the quantity is organized alphabetically, aligning a few of the best-known names from historical past with artists making waves immediately.
Yayoi Kusama’s colourful polka dots, Portia Munson’s feminist found-object evocations, and Mária Bartuszová’s ethereal plaster varieties are showcased alongside Louise Nevelson’s monumental constructions and Barbara Hepworth’s intimate stone silhouettes. Every artist is represented by an paintings key to their profession and total oeuvre, together with a bite-size introduction to their work and its significance within the context of the ever-evolving artwork historic canon. When you’re a frequent Colossal reader, you’ll acknowledge others like Wangechi Mutu, Joana Vasconcelos, Simone Leigh, Rebecca Manson, Kiki Smith, and Tara Donovan.
Nice Girls Sculptors is slated for launch on September 24, and you may pre-order your copy now within the Colossal Store. You may additionally get pleasure from testing different books on this collection, together with Nice Girls Painters and Nice Girls Artists.
Rebecca Manson, “Gale” (2021), porcelain, glaze, metal, adhesives, foam, {hardware}, enamel, and magnets, 88 × 68 × 72 inches. Photograph by Lance Brewer
Holly Hendry, “Body Language” (2022), jesmonite, pigment, rock, metal, and paint, 40 3/4 × 30 1/4 × 6 7/8 inches. Photograph by Todd-White Artwork Pictures, courtesy of Stephen Friedman Gallery
Helen Escobedo, “Eclipse from the series Muros Dinámicos (Dynamic Walls)” (1968), lacquered wooden, 79 1/8 × 29 7/8 × 28 3/4 inches. Photograph by Ramiro Chaves, courtesy of Proyectos Monclova
Rana Begum, “No. 1048 Mesh” (2020, powder-coated galvanized mesh, 153 1/2 × 232 1/4 × 110 1/4 inches, courtesy of Begum Studio and Kate MacGarry Gallery
Nicole Eisenman, “Maker’s Muck” (2022), plaster, clay, seashell, and many others., 103 1/4 × 120 × 155 1/4 inches. Photograph by Thomas Barratt, courtesy of Anton Kern Gallery
Mária Bartuszová, “Untitled” (1985), plaster and string, 41 3/8 × 52 3/4 × 15 3/8 inches. Photograph by Michael Brzezinski, courtesy of The Property of Maria Bartuszová, Košice, and Alison Jacques, London
#artwork historical past
#sculpture
Do tales and artists like this matter to you? Change into a Colossal Member immediately and assist impartial arts publishing for as little as $5 per thirty days. You will join with a neighborhood of like-minded readers who’re obsessed with up to date artwork, learn articles and newsletters ad-free, maintain our interview collection, get reductions and early entry to our limited-edition print releases, and far more. Be a part of now!
