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America Age > Blog > Art & Books > Layering Discovered Cardboard into Communing Kinds, Ann Weber’s Sculptures Emphasize Togetherness — Colossal
Art & Books

Layering Discovered Cardboard into Communing Kinds, Ann Weber’s Sculptures Emphasize Togetherness — Colossal

Enspirers | Editorial Board
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Layering Discovered Cardboard into Communing Kinds, Ann Weber’s Sculptures Emphasize Togetherness — Colossal
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Artwork

#Ann Weber
#cardboard
#recycling
#sculpture

August 28, 2024

Kate Mothes

“Personages, Elkhart Lake” (2024), discovered cardboard, staples, and polyurethane, 90 x 43 x 10 inches. All photos © Ann Weber, courtesy of Palos Verdes Artwork Heart, shared with permission

From scraps of discovered cardboard, Ann Weber constructs billowing varieties that rise in vibrant patterns—virtually figure-like—to greet us. The Los Angeles-based artist (beforehand) focuses on sustainability, group, and relationships through the use of discovered supplies and pairing varieties.. Weber’s titles typically counsel particular person characters and locations, like in “Personages, Elkhart Lake” or “O Buddy, O Pal.” Symbolizing the act of bringing individuals and concepts collectively, strips of cardboard are layered, mounted, and intertwined with each other to create a sturdy and dependable construction.

In 1991, when Weber first started to experiment with with medium, she drew on her expertise making useful pottery. She was impressed by architect Frank Gehry’s cardboard furnishings, and the fabric was enticing as a consequence of its malleability and lightness. A pair a long time later, the proliferation of world delivery—the containers required to ship items and the waste they produce—amplified the artist’s curiosity in repurposing one thing which may in any other case be landfill-bound.

two freestanding sculptures side-by-side made of woven and layered strips of colorful cardboard. the one on the left is primarily yellow, black, and white, while the one on the right is mostly orange and white

“O Buddy, O Pal” (2024), discovered cardboard, staples, and polyurethane, 72 x 51 x 26 inches

In Let the Sunshine In, the artist’s forthcoming solo exhibition at Palos Verdes Artwork Heart, Weber faucets into not solely the famously blue skies of Southern California however the optimism important to sustaining relationships throughout turbulent instances, embracing views which will differ from our personal and sustaining the foundations of group. Via the colourful works on this exhibition, Weber proposes that within the face of adversity, positivity is usually a radical act.

Let the Sunshine In runs from September 14 to November 16 in Los Angeles. Discover extra on the artist’s web site and Instagram.

an abstract cardboard wall sculpture with two main round pieces and five smaller satellite pieces, predominantly blue, green, orange, white, and brown, made from found boxes cut into strips

“It Was A Sunny Day” (2024), discovered cardboard, staples, and polyurethane, 104 x 81 x 10 inches

an abstract cardboard wall sculpture, predominantly red, yellow, white, and black, made from found boxes cut into strips

“Tutti Frutti” (2024), discovered cardboard, staples, and polyurethane, 96 x 46 x 7 inches

two freestanding sculptures side-by-side made of cardboard, the one of the right predominantly a white woven structure with spots of color, and the one of the left mostly colorful with spots of white

“Personages, Love and Happiness” (2024), discovered cardboard, staples, and polyurethane, 96 x 44 x 10 inches

an abstract cardboard wall sculpture, predominantly red with stripes of blue and yellow, made from found boxes cut into strips

“Who’s (I’m) Afraid of Red, Yellow and Blue I (After Barnett Newman)” (2024), discovered cardboard, staples, and polyurethane, 53 x 30 x 4 inches

#Ann Weber
#cardboard
#recycling
#sculpture

 

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TAGGED:AnnCardboardColossalCommuningEmphasizeformsLayeringSculpturesTogethernessWebers
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