From the Parco Museum in Tokyo to the storied Le Bon Marché in Paris and past, Jean Jullien’s Paper Folks (beforehand) cheerfully specific the world we stay in by large-scale installations. The affluent inhabitants have now taken over the expansive PUBLIK GASAN in Seoul, welcoming us to mirror on universally relatable every day actions, customs, feelings, and social points.
Within the artist’s newest immersive presentation, minimalist figures test their telephones, go to cafes, and work on a manufacturing line in a lighthearted and sympathetic imaginative and prescient of on a regular basis life.
Titled Paper Society, Jullien’s exhibition is organized into three elements. First, guests encounter the “Factory,” the place the paper persons are born and work collectively, sorting by a wide range of patterns and sizes accessible for replication on a conveyor belt.
“Paper Town” is encountered subsequent, modeled after our personal city landscapes, with metropolis blocks, companies, and establishments. Lastly, the “Snake Room” leads viewers alongside the curves of an enormous serpent coated on each side in hand-drawn timelines detailing the histories of each humanity and its playful, parallel civilization.
Paper Society marks the ultimate iteration of the Paper Folks installations. Discover extra work on Jullien’s web site and Instagram.
