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America Age > Blog > Art & Books > Incredible Blooms Entwine with Sculptural Motifs in Mevlana Lipp’s Imagined World
Art & Books

Incredible Blooms Entwine with Sculptural Motifs in Mevlana Lipp’s Imagined World

Enspirers | Editorial Board
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Incredible Blooms Entwine with Sculptural Motifs in Mevlana Lipp’s Imagined World
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Behind barred motifs evocative of a wrought iron fence, otherworldly flowers are in full bloom, their heads stretching extensive and tall whereas tendrils and leafy vines wind across the open boundaries. Rendered in contrasting palettes of jewel tones and pale, muted hues, these uncanny vegetation are a part of the most recent physique of labor by Mevlana Lipp.

Whereas visiting Venice earlier this 12 months, the Cologne-based artist admired the elaborately patterned fencing that wove its manner all through the historic islands. “As I wandered through the city, I noticed the intricate metal bars on many windows,” he says. “For me, these bars symbolize a barrier between the world I inhabit and the fictional place I long for.”

“Seven” (2024), wooden, velvet, acrylic colour, ink, sand, aluminum stretcher, 45 x 33 x 4 centimeters

Vista is the fruits of this inspiration and presents an electrifying botanical assortment. For these items, Lipp continues to meld portray and sculpture, as he layers acrylic paint, ink, and sand onto intricately lower picket panels, which he positions atop velvet. This smooth materials interacts with the mottled, noticed, and patterned textures of the painted parts and bolsters the sense of depth, changing into an enormous chasm behind the fantastical florals.

In comparison with his earlier works, although, Vista ventures into hotter, brighter colour palettes. The artist shares:

Whereas the darkish blue, inexperienced, and lilac backgrounds usually create a way of infinite voids, I needed to discover different imageries as properly. Consider an icy chilly mist or a pink desert stretching endlessly into the space. I needed to create works which have a wider array of temperatures.

Lipp’s curiosity in increasing his palette dovetails with the symbolic parts of his work. Because the artist sees it, vegetation are metaphors for base instincts and emotion, as they commune with one another and varied species with out the identical social and cultural pressures of people. Broadening his formal strategy provides extra room for spontaneity and unrestrained exchanges. “When you walk into the forest, you take a look at all the existing connections, at how things interact with each other without fear,” he says. “Plants don’t run the risk of hurting each other’s feelings.”

Vista is on view by means of December 15 at Capsule Venice. Discover extra from Lipp on Instagram.

the side view of a painting on wood and velvet of otherworldly blue flowers behind an ornate barrier reminiscent of wrought iron
“Cassiopeia” (2024), wooden, velvet, acrylic colour, ink, sand, aluminum stretcher, 45 x 33 x 4 centimeters
the side view of a painting on wood and velvet of otherworldly green and pink flowers behind an ornate barrier reminiscent of wrought iron
“Coil” (2024), wooden, velvet, acrylic colour, ink, sand, aluminum stretcher, 45 x 33 x 4 centimeters
the side view of a painting on wood and velvet of otherworldly greenflowers behind an ornate barrier reminiscent of wrought iron
“Halo” (2024), wooden, velvet, acrylic colour, ink, sand, aluminum stretcher, 45 x 33 x 4 centimeters
the side view of a painting on wood and velvet of otherworldly blue spiky flowers behind an ornate barrier reminiscent of wrought iron
“Ice” (2024), wooden, velvet, acrylic colour, ink, sand, aluminum stretcher, 45 x 33 x 4 centimeters
the side view of a painting on wood and velvet of otherworldly blue flowers behind an ornate barrier reminiscent of wrought iron
“Cassiopeia” (2024), wooden, velvet, acrylic colour, ink, sand, aluminum stretcher, 45 x 33 x 4 centimeters

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