Shoelaces, zippers, chairs, and different home objects undertake surprising personalities within the uncanny sculptures of Tobias Izsó. Incorporating a variety of supplies, from numerous woods and paper to leather-based and textiles, the artist investigates the emotional terrain of personal areas. Izsó depicts sweaters, shoelaces, shirt cuffs, and piles of laundry merging with their environment or seemingly possessing minds of their very own.
Christine König Galerie, which represents the artist, exhibited Izsó’s sequence off the cuff final yr in its challenge area, KOENIG2. The works discover relationships between house, self, and the emotional affect of stuff. Izsó’s work might be on view at Kunstverein Dresden in October, and you’ll find extra on the artist’s Instagram.
“#8” (2024) from the sequence ‘off the cuff,’ oak, paperclip, and paper, 15 x 19 x 14 centimeters“#6” (2023) from the sequence ‘off the cuff,’ webbing, leather-based, chrome steel, bentwood, oak carpet, textile, rattan, veneer, and brass, 170 x 47 x 35 centimeters“#3” (2024) from ‘off the cuff,’ beech, walnut, cherry, oak, and elm, 116 x 45 x 43 centimeters“#2” (2023), from the sequence ‘off the cuff,’ rattan, beech, Afrik, walnut, raffia walnut, and raffia, 82 x 60 x 12 centimeters“#5” (2024) from the sequence ‘off the cuff,’ cherry wooden, pine wooden, leather-based, and textile, 108 x 30 x 855 centimeters“#4” (2024) from the sequence ‘off the cuff,’ cherry wooden and wall anchor, 99 x 42 x 15 centimetersSet up view of ‘Off the Cuff’ at KOENIG2 by_robbygreif
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