Artwork
#artwork historical past
#portray
#portraits
#Tamara de Lempicka
Practically 100 years after Tamara de Lempicka (1894-1980) first exhibited her work in San Francisco, a sweeping survey of the storied and glamorous artist opens once more within the metropolis. This October, on the de Younger—a part of the Advantageous Arts Museums of San Francisco—the present marks the artist’s first U.S. retrospective and illuminates new particulars about her life.
de Lempicka’s daring, stylized figures have turn into synonymous with the Twenties, an period characterised by opulence, sophistication, and youthful optimism. She incorporates Artwork Deco design components, like geometric aspects, tonal contrasts, and metropolis structure framing idealized faces and flowing, trendy clothes. She sought to create recognizable work with a freshness and readability that set them aside from what she referred to as the “banality” of artwork she noticed round her. And amongst different Artwork Deco-era painters like Diego Rivera or Rockwell Kent, who usually painted massive murals that includes crowds of individuals, de Lempicka distinguished herself by focusing predominantly on portraits.
The artist’s youth has lengthy been a supply of fascination. For years, she was thought to have been born Tamara Rozalia Gurwik-Górska in 1894—though she claimed variously that she was born in 1898, 1900, and 1902—however latest analysis reveals her beginning identify was Tamara Rosa Hurwitz. She moved to Saint Petersburg, the place she married a outstanding Polish lawyer named Tadeusz Łempicki, after which traveled to Paris, the place she studied portray. “At the beginning of her career, de Lempicka chose to sign her works using the male declination of her surname, ‘Lempitzky,’ effectively disguising her gender and adding to the confusion surrounding her origin story,” says an exhibition assertion.
By 1928, de Lempicka had turn into the mistress of Baron Raoul Kuffner de Dioszegh, a rich artwork collector, and she or he divorced from Łempicki in 1931. When Kuffner’s spouse died, the artist married Kuffner, and she or he turned identified within the press as “The Baroness with a Brush.” The couple moved to the U.S. in 1939, and though her work fell out of vogue throughout World Battle II, a Sixties revival of Artwork Deco type ushered in a comeback. She ultimately moved to Mexico in 1974, the place she died in 1980.
Greater than 120 of de Lempicka’s works will go on view in San Francisco, together with her most celebrated portraits, early experimental nonetheless lifes, not often seen drawings, and a collection of Artwork Deco objects from the Advantageous Arts Museums’ assortment. Tamara de Lempicka runs October 12, 2024, to February 9, 2025, after which it would journey to the Museum of Advantageous Arts, Houston, from March 9 to Could 25. Discover extra on the de Younger’s web site.
#artwork historical past
#portray
#portraits
#Tamara de Lempicka
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