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America Age > Blog > Art & Books > Drawing on Queer Historical past, Moises Salazar Glamorizes Faceless Figures in Glitter — Colossal
Art & Books

Drawing on Queer Historical past, Moises Salazar Glamorizes Faceless Figures in Glitter — Colossal

Enspirers | Editorial Board
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Drawing on Queer Historical past, Moises Salazar Glamorizes Faceless Figures in Glitter — Colossal
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#activism
#identification
#Moises Salazar
#portraits
#textiles

“El Gran Varon” (2022), glitter and acrylic on canvas, yarn, 46 x 36 x 2.5 inches

Glitter has a deep connection to queer tradition and identification. Showing in drag performances within the early twentieth century, the glowing materials shortly turned related to gender-bending, and immediately, it’s incessantly utilized in protest and activist circles advocating for LGBTQ+ rights.

Moises Salazar references this historical past and their Mexican heritage by mixed-media portraits. Rendering faceless figures in glitter—a selection that enables every topic to be a surrogate for queer Latinx individuals—Salazar depicts scenes of pleasure, confidence, and defiance as they current figures who’re tender however resolute. The portraits typically have an autobiographical bent, rising from the artist’s connection to Chicago’s queer neighborhood and originating with depictions of their very own physique.

Drawing on craft traditions, the luxurious mixture of fake fur, sequins, and acrylic paint nested inside crocheted yarn frames feeds into the ostentatious nature of those works, dovetailing with Salazar’s insistence that the themes are revered and celebrated. In an interview with The Latinx Challenge, they are saying of their materials decisions:

I like feeling glamorous, and I feel that’s one thing common. No matter gender, age, and sexual expression, all of us love feeling our greatest, and that’s what I’m attempting to precise in my work. As kids, I feel we’re taught to not stand out or trigger consideration to ourselves, however I feel we should always do the other. That’s why I put a lot emphasis on making a tactile expertise. I would like my work to face out, and I pull out all of the stunts to do it. I’m an individual that if I’m requested, “Don’t you think that’s too much?,” I add twenty new issues.

Salazar’s portraits are on view for In My Arms by July 27 at Epiphany Middle for the Arts in Chicago. Discover extra of their work on Instagram.

 

two faceless cherubs float above a faceless figure on a horse. all are rendered in glitter with a purple crocheted frame

“Trans World #2” (2022), glitter on canvas, yarn, sequin, 62 x 35 x 2.5 inches

a nude, faceless figure wearing black heels sits on blue textiles with a purple crocheted frame

“All Alone” (2022), glitter on canvas, yarn, sequin, 49 x 29 x 2.5 inches

a faceless figure sits on a leopard print blanket wearing shorts. they are rendered in glitter with plush pink fur at the top of the work

“En Esta Noche” (2022), glitter and oil on panel, sequin, yarn, 42 x 25 x 2.5 inches

two faceless figure wearing a red and blue dress pose on a rock and grass. they're rendered in glitter with gold halos around their heads. a blue crocheted frame surrounds the work

“Yo Soy Una Mujer” (2022), glitter on canvas, yarn, sequin, 62 x 35 x 2.5 inches

a family portrait of faceless figures rendered in glitter. a blue crocheted frame surrounds them

“Social,” glitter, acrylic, material on canvas, yarn

#activism
#identification
#Moises Salazar
#portraits
#textiles

 

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TAGGED:ColossalDrawingFacelessFiguresGlamorizesGlitterHistoryMoisesQueerSalazar
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