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America Age > Blog > Art & Books > Ceramic Houseplants by Ariana Heinzman Revel within the Absurdity of Domestication — Colossal
Art & Books

Ceramic Houseplants by Ariana Heinzman Revel within the Absurdity of Domestication — Colossal

Enspirers | Editorial Board
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Ceramic Houseplants by Ariana Heinzman Revel within the Absurdity of Domestication — Colossal
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Artwork
Craft

#Ariana Heinzman
#ceramics
#flowers
#sculpture

August 8, 2024

Kate Mothes

“Banana Split Plant” (2024), ceramic and underglaze, 28 x 14 x 10 inches. All photos © Ariana Heinzman, courtesy of J. Rinehart Gallery, shared with permission

Over the centuries, humanity’s relationship with wilderness has changing into more and more fraught, as we proceed to decrease pure inexperienced areas in favor of roads, buildings, and manicured lawns. For Vashon Island-based artist Ariana Heinzman, our connection—or disconnection—to nature performs a central function in her vibrant ceramics follow.

For her present solo exhibition, Habitat for a Pretend Plant at J. Rinehart Gallery, Heinzman (beforehand) conceived of a set of quirky stoneware houseplants that sit on stools, irregularly formed large-scale work, and decapitated-looking cuttings put in on the wall. These items interrogate the absurdity of bringing nature into human-made environments, analyzing how we have now educated vegetation to acclimate to inside life.

“In this world, plant-like sculptures are wrapped in patterns reminiscent of tablecloths and wallpaper,” the artist says in a press release for the present, emphasizing their home function. The specimens sprout leaves which are flattened to stick higher to flat surfaces, and the foliage assumes anthropomorphic poses, “lounging in this new environment where their purpose is decoration.”

Should you’re in Seattle, you may cease by Habitat for a Pretend Plant by means of August 28. Discover extra on the artist’s web site and Instagram.

 

an abstract ceramic sculpture of a flower that stands up on its leaves with two skyward-facing black-and-orange blossoms

“Chilling” (2024), stoneware and underglaze, 20 x 22 x 15 inches

a shaped abstract painting like a pudgy "V" or two simplified leaves, filled with plant-like shapes and patterns in red, yellow, black, green, and pink

“Pinky” (2024) acrylic and ink on canvas, 41 x 47 x 3 inches

an abstract ceramic sculpture of a flower that stands up on a red dome shape with three black leaves and a single red blossom

“Dome Drop Dogwood” (2024), ceramic and metal, 62 x 47 x 21 inches

an abstract painting on an oblong-shaped panel with red flowers on a teal and white background

“Berry Wing” (2024), acrylic and ink on canvas, 35.5 x 43.5 x 3 inches

an abstract ceramic sculpture of a flower that stands up on its leaves with a droopy red blossom

“Shrug” (2024), stoneware and underglaze, 13 x 10 x 11 inches

an abstract painting in pink, red, black, and blue of a flower-like shape

“Dome Drop” (2024), acrylic and ink on canvas, 57 x 48 x 3 inches

an installation view of ceramic sculptures on colorful stools and paintings installed on a gallery wall, with one wall painted teal

Set up view of ‘Habitat for a Fake Plant’ at J. Rinehart Gallery, Seattle

#Ariana Heinzman
#ceramics
#flowers
#sculpture

 

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TAGGED:AbsurdityArianaCeramicColossalDomesticationHeinzmanHouseplantsRevel
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