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America Age > Blog > Art & Books > Beth Cavener Molds 1000’s of Kilos of Clay into Provocative Animals that Grapple with Belief — Colossal
Art & Books

Beth Cavener Molds 1000’s of Kilos of Clay into Provocative Animals that Grapple with Belief — Colossal

Enspirers | Editorial Board
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Beth Cavener Molds 1000’s of Kilos of Clay into Provocative Animals that Grapple with Belief — Colossal
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Artwork

#animals
#Beth Cavener
#ceramics
#clay
#sculpture

August 22, 2024

Kate Mothes

“Captive.” Photographs by Chris Autio. All photos © Beth Cavener, courtesy of Carpenters Workshop Gallery, shared with permission

Within the sixth century B.C.E., Aesop wrote greater than 700 fables conveying ethical messages by means of animal characters. Fifty-one of those featured a sly fox, often characterised as each clever and misleading, usually conning different animals. Foxes have lengthy symbolized adaptability, crafty, stealth, and deceit, offering us with a solution to perceive our personal values, behaviors, and actions. In Beth Cavener’s “Trust Me,” a vulpine creature bathed in darkish shadow crouches as if poised to leap from its vertical floor, peering determinately forward. Its title, each an invite and a warning, illuminates the vulnerability it requires to those that settle for.

In her newest physique of labor, which fits on view in Belief at Carpenters Workshop Gallery subsequent month, Cavener (beforehand) delves into the nuances and complexities of what it means to belief. Drawing on emotional private experiences and social and cultural upheavals, from the pandemic to political divisiveness, the artist invokes the animal world as a way to reestablish bonds with each other by means of empathy and compassion.

Cavener begins each bit by creating an in depth maquette, or scale mannequin, which she then interprets into formidable, full-size works over the subsequent six to eight months. Each bit is sculpted by hand, then hollowed out, reduce into elements, fired, and reassembled. The cyclical strategy of creation, destruction, and restoration evokes the importance of disassembling and rebuilding the foundations that make it doable for society to not solely operate however thrive. In Belief, the artist invitations us to extra intently study our personal experiences of reliability, concern, betrayal, and hope.

In “Captive,” for instance, a pony bites into its again to disclose tiger stripes beneath. And “Shards,” a focus of the exhibition, takes the type of a life-size male lion sculpted from 2,800 kilos of clay. An impressive image of energy, power, and dignity, the large cat is depicted with its head hanging low, vitality draining and bones protruding from its emaciated physique. The piece was reassembled from 1000’s of shattered items, representing the painstaking and intimate labor required to instill hope and mend what could seem irreparable.

Belief  runs September 12 to November 4 in Los Angeles, in collaboration with Jason Jacques Gallery. Discover extra on Cavener’s web site and Instagram.

 

a clay sculpture of a fox-like creature crouched vertically on a wall, its head and front arms darkened with a black hue

“Trust Me”

a clay sculpture of a green goat perched on top of a stack of wooden boxes

“G.O.A.T”

a detail of a clay sculpture of a green billy goat looking away from us

Element of “G.O.A.T”

a profile view of a clay sculpture of a life-size emaciated lion standing on a stone table

“Shards”

a detail of a clay sculpture featuring a dark fox-like creature

Element of “Trust Me”

#animals
#Beth Cavener
#ceramics
#clay
#sculpture

 

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TAGGED:AnimalsBethCavenerClayColossalGrappleMoldsPoundsProvocativethousandstrust
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