Australian artist Amiee Byrne is drawn to on a regular basis objects which can be “so normal, they’ve become invisible,” she says. Meticulously sculpting clay into life-sized representations of their counterparts, Byrne highlights the tender appeal and understated significance of forgotten and discarded items.
Creating an correct portrayal includes the conscientious embrace of imperfections and defects. Take, as an example, Byrne’s bear sculpture. Splooted on its stomach as if frozen in time after being dropped onto the bottom, the well-loved teddy bear’s fluffy but matted fur stays barely discolored in some areas, in addition to its snout. Particulars of authenticity in the end cue a poignant emotional response. “This object is getting a second chance and I like to celebrate the flaws,” she says.
Technically talking, the Los Anegles-based artist has developed a definite knack for producing hyperrealistic textures. Whereas it may be notably difficult to perform lifelike surfaces with ceramic items, Byrne employs a number of underglazes to attain the proper sheen or flat end atop every object.
Typically occasions scrolling the web for hours, trying to find instruments to execute such exact textures, Byrne additionally explains that she is keen on experimenting with totally different gadgets round the home. “My favorite tool is a dustpan broom,” she says. “I’m always bashing clay with it to create different effects.”
Discover different initiatives from the artist on her web site, and see extra work on Instagram.
