With the Industrial Revolution in full swing on the flip of the twentieth century, jobs and alternatives attracted individuals to burgeoning cities. New applied sciences had been being developed at breakneck pace and discoveries inside the pure sciences launched individuals to invisible but potent ideas like radio waves and X-rays.
Throughout this era of social transformation, philosophical or occult non secular actions like Spiritualism and Helena Blavatsky’s Theosophy provided methods to not solely join inside a like-minded group however to discover the afterlife—the so-called spirit world—and the very material of the universe.
For Hilma af Klint (1862–1944), like many who sought refuge and inspiration in these perception techniques, a non secular hyperlink to her environment united her with the pure world throughout “a period of massive change…as people from all levels of society were searching for something new to hold on to,” Johan af Klint and Hedvig Ersman wrote in regards to the Swedish artist’s non secular journey.
Now on view at The Museum of Fashionable Artwork in New York, Hilma af Klint: What Stands Behind the Flowers highlights the establishment’s current acquisition of an exceptional, 46-leaf portfolio referred to as Nature Research.
Through the spring and summer time of 1919 and 1920, af Klint recorded Sweden’s seasonal flora, from lilies of the valley and sunflowers to violets and cherry blossoms. Past conventional botanical research, the artist incorporates her attribute abstractions and diagrams, surrounding every rendering with esoteric annotations and geometries.
“One has to think of the realm of the nature spirits as the realm of thought; these entities hover around us, some like driving winds, others like soft summer breezes,” af Klint as soon as mentioned.
Grids with distinctive colour relationships or energetic spirals accompany renderings of area woodrush or marsh marigold, and tree specimens are paired with dotted checkerboards. “Through these forms, af Klint seeks to reveal, in her words, ‘what stands behind the flowers,’” the museum says, “reflecting her belief that studying nature uncovers truths about the human condition.”
What Stands Behind the Flowers continues by September 27 and is accompanied by a listing that’s slated for launch on Tuesday. Discover your copy on Bookshop, and plan your go to to MoMA on the museum’s web site.
