The place somebody may see opposition, Kristine Stattin finds becoming companions. Working in her studio within the Occitanie area of southern France, the artist alternates between hand and machine embroidery as she layers lengthy, sweeping traces and tiny, tufted French knots. The contrasts create stress and intrigue and make sure that Stattin doesn’t get too comfy with anybody mode.
“My work is all about the process, being in and surrendering to the moment, embracing the unknown, not being attached to outcomes and expectations, and bringing the threads to life,” she says.
Bursting with shade and texture, Stattin’s summary embroideries evoke motion and power by way of a number of layers of skinny, stitching thread stitched atop each other. There’s stress between orderly rows and chaotic smatterings. “Each new piece is an internal journey, a sort of enigma that asks to be solved, and I use the needle and threads to capture a feeling, movement, and life itself,” she shares.
Sometimes, appliqué, screen-printing, and acrylic-painted particulars seem in her items, and choices to include new supplies are a part of an instinctive course of guided by the work itself. Colour is comparable, with combos of pastel hues and daring, saturated palettes derived from nature, the artist’s environment, and even the way in which stitching thread falls on her desk.
“I am interested in an intuitive, yet mindful process, to see where the threads will take me, to see and respond to what happens, and to work with eventual mistakes,” she says. “I embrace those mistakes as they often lead to new ideas that I bring into future work.”
Comply with Stattin on Instagram for updates and glimpses into her course of.
