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America Age > Blog > Art & Books > Guadalupe Maravilla’s Volcanic Rock Sculptures Invoke Resilience and Regeneration
Art & Books

Guadalupe Maravilla’s Volcanic Rock Sculptures Invoke Resilience and Regeneration

Enspirers | Editorial Board
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Guadalupe Maravilla’s Volcanic Rock Sculptures Invoke Resilience and Regeneration
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With the area’s smallest geographic footprint, El Salvador boasts the second-highest variety of volcanos in Central America. The nation is positioned on the Ring of Fireplace, a tectonic band that encircles the Pacific Ocean and homes about two-thirds of all volcanos worldwide. Given its eruptive panorama, a lot of the soil is wealthy in ash.

In a sequence of sculptures, Guadalupe Maravilla (beforehand) attracts on his dwelling nation as he sculpts backpacks and enlarged arms from volcanic rock. The works reference the artist’s migration from civil war-era El Salvador as an unaccompanied minor, a traumatic journey that continues to be a central theme in his observe.

“Luz y Fuerza” (2024), oil on volcanic rock, 14 x 14 x 4 inches

A trio of items, titled Dream Backpacks, refers to “how we immigrate to the U.S. by land and carry everything we own in a backpack in search of the American Dream,” Maravilla writes in a press release. Embellished with pink, purple, and blue paints, the poignant works show a wide range of charms—feathers, a small cat determine, and steel particulars like a spigot—the artist collected whereas retracing his childhood route.

Different works take the type of a burly hand cradling easy shapes that includes items redolent of retablos, small devotional work typically invoking safety throughout instances of hardship. Lightning bolts, stars, and snakes recur all through the compositions, together with references to the artist’s colon most cancers analysis, which he has lengthy linked to the trauma he suffered as a baby.

December 12 is particular to Maravilla and titles one latest work that includes linked wishbones, crystals, and the kids’s rhyme “Sana, sana, colita de rana,” which interprets to “heal, heal, little frog’s tail.” As Maravilla shares on Instagram, “On 12/12/12 I found out I had cancer. 12/12/13 I overcame cancer. Today, I am starting a new chapter 12/12/24 with a special meditation.” Equally, a cake with a “0” candle seems in “Luz y Fuerza,” which resembles a pastry the artist as soon as used to rejoice each his birthday and what he considers his rebirth as cancer-free.

Citing resilience amid battle, Maravilla’s sculptures name on therapeutic and regeneration. Volcanic ash, in spite of everything, is without doubt one of the most potent pure fertilizers and a key think about sparking new development.

Maravilla is represented by P·P·O·W Gallery in New York, the place yow will discover extra of his work.

a hand sculpture with wishbones, sparkles, a hand holding a lightning bolt, a hand painted with various symbols, numbers, gems and text painted on
“12/12/24” (2024), oil on volcanic rock, 13 3/8 x 13 3/8 x 4 1/8 inches
a concrete backpack with a pink mouth and an orange feather
“Dream Backpack 3” (2023), volcanic rock and objects collected from a ritual of
retracing the artist’s unique migration route, 16 1/4 x 12 x 4 3/4 inches
a concrete sculpture of a hand holding an angular form. symbols, hands, and snakes are painted on
“Self Love” (2024), oil on volcanic rock, 13 3/8 x 13 3/4 x 4 7/8 inches
a concrete hand with a figure with a flame head riding a blue stingray and holding a pink lightning bolt painting in the palm. "back" is painted on the fingernails
“Heal Seven Years Back” (2024), oil on volcanic rock, 13 3/8 x 13 3/4 x 5 1/2 inches
a concrete backpack with two blue feathers, a black cat sculpture perched on top, and a gem medallion dangling from the handle
“Dream Backpack 2” (2023), volcanic rock and objects collected from a ritual of retracing the artist’s unique migration route, 16 1/2 x 12 1/4 x 4 1/4 inches
a concrete hand sculpture holding an ovoid form. a character with shackles and flames for a head, a frog, a hand holding green plants are painted on
“Sana 7 Años Atras” (2024), oil on volcanic rock, 14 1/8 x 14 x 4 3/4 inches
a concrete hand sculpture cradling a round form with a snake painted in the center
“Si No Sanas Hoy Sanarás Mañana” (2024), oil on volcanic rock, 13 3/8 x 14 1/8 x 4 3/8 inches
a concrete hand sculpture cradling a circular form. paintings of hands, text, and various symbols cover the concrete
“Sana Sana Colita de Rana” (2024), oil on volcanic rock, 14 1/8 x 13 3/4 x 4 7/8 inches

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TAGGED:GuadalupeInvokeMaravillasRegenerationresilienceRockSculpturesVolcanic
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