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America Age > Blog > Art & Books > In ‘Old Growth,’ Mitch Epstein Travels the U.S. to Seize Monumental Historical Relics — Colossal
Art & Books

In ‘Old Growth,’ Mitch Epstein Travels the U.S. to Seize Monumental Historical Relics — Colossal

Enspirers | Editorial Board
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In ‘Old Growth,’ Mitch Epstein Travels the U.S. to Seize Monumental Historical Relics — Colossal
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#Mitch Epstein
#timber

July 31, 2024

Kate Mothes

“Patriarch Grove, Ancient Bristlecone Pine Forest, California” (2021), from the sequence ‘Old Growth,’ archival pigment print, 45 x 36 inches. All pictures © Mitch Epstein, courtesy of the artist and Yancey Richardson, New York, shared with permission

Someday across the finish of the final ice age—round 20,000 years in the past—a single aspen seed rooted, sprouted, and commenced cloning itself in what’s now central Utah. Often known as Pando, which comes from the Latin “I spread,” the world’s largest identified organism continues to develop at this time, comprising greater than 40,000 particular person timber. Each trunk emerged as a shoot from the identical root system, and scientists estimate Pando weighs about 13 million kilos. That’s one large plant.

For photographer Mitch Epstein, the outstanding resilience, scale, and prolonged lifespans of timber types the premise of his ongoing sequence Outdated Progress. From the world’s most voluminous sequoias to probably the most historic weathered and gnarled bristlecone pines that may reside greater than 4,000 years, he captures outstanding stalwarts across the U.S.

Beginning in 2017, Epstein traveled the nation in quest of the oldest identified timber, like bigleaf maples, jap white pines, cedars, and bald cypresses. Sequoias and bristlecones, for instance, are generally known as relict species, or relics, have survived from an precedent days after they have been way more widespread. Epstein creates an important document of the timber as their ever-shrinking habitats are more and more threatened amid the local weather disaster.

Each new and mature forests play a major function in capturing carbon, which helps to maintain greenhouse gases out of the earth’s ambiance. The older timber simply retailer way more of it. Estimates fluctuate relying on definitions of “old growth,” “original,” or “frontier” forests, however within the U.S., people are estimated to have destroyed as a lot as 96 % of those areas for logging, agriculture, and improvement.

By way of pictures, Epstein focuses on the inherent rigidity of time. For timber which have stood for millennia, a break up second of its life captured via a lens attracts consideration to its bewilderingly huge lifespan. A solo exhibition of Epstein’s large-format pictures opens quickly at Yancey Richardson, and a brand new ebook revealed by Steidl is slated for launch in November.

Outdated Progress runs September 5 to October 19 in New York Metropolis, and from there it travels to the Gallerie d’Italia in Turin and opens on October 16. You possibly can pre-order your copy of Outdated Progress now from Bookshop, and study extra on the artist’s web site.

 

“Maple Glade, Hoh Rain Forest, Olympic National Park, Washington” (2017), from the sequence ‘Old Growth,’ archival pigment print, 36 x 45 inches

“Congress Trail, Sequoia National Park, California” (2021), from the sequence ‘Old Growth,’ archival pigment print, 45 x 36 inches

“Sitka Spruce (Tree of Life), Olympic National Park, Washington” (2021), from the sequence ‘Old Growth,’ archival pigment print, 58 x 72 inches

“Bigleaf Maple, Olympic National Park, Washington” (2021), from the sequence ‘Old Growth,’ archival pigment print, 72 x 58 inches

“Sequoia National Park, California” (2022), from the sequence ‘Old Growth,’ archival pigment print, 72 x 58 inches

“Ancient Bristlecone Pine Forest, California” (2022), from the sequence ‘Old Growth,’ archival pigment print, 72 x 58 inches

“Coastal Redwood (Boy Scout Tree), Jedediah Smith Redwoods State Park, California” (2022), from the sequence ‘Old Growth,’ archival pigment print, 45 x 36 inches

“Bald Cypress, Black River, Cape Fear, North Carolina” (2023), from the sequence ‘Old Growth,’ archival pigment print, 36 x 45 inches

#Mitch Epstein
#timber

 

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